bête noire - traducción al italiano
WIKIMEDIA DISAMBIGUATION PAGE
Bete noir; Bete Noire; Bete noire; Bête Noire; Bête noire (disambiguation); Bête noir; Bêtes noires
bête noire
n. bestia nera
Beauty and the Beast
![Illustration for ''Beauty and the Beast'' drawn by [[Walter Crane]].](https://commons.wikimedia.org/wiki/Special:FilePath/Crane beauty5.jpg?width=200 "Illustration for ''Beauty and the Beast'' drawn by [[Walter Crane]].")
![Painting of [[Petrus Gonsalvus]] (c. 1580)](https://commons.wikimedia.org/wiki/Special:FilePath/PetrusGonsalvus.jpg?width=200 "Painting of [[Petrus Gonsalvus]] (c. 1580)")
![Serbian]] translation from 1787, published in the old [[Slavonic-Serbian]] literary language, translated by [[Avram Mrazović]].](https://commons.wikimedia.org/wiki/Special:FilePath/Poucitelni Magazin 1 - 1787 - start of chapter Beauty and the Beast.jpg?width=200 "Serbian]] translation from 1787, published in the old [[Slavonic-Serbian]] literary language, translated by [[Avram Mrazović]].")
![Illustration by [[Warwick Goble]].](https://commons.wikimedia.org/wiki/Special:FilePath/Warwick Goble Beauty and Beast.jpg?width=200 "Illustration by [[Warwick Goble]].")
FOLKTALE TYPE
Beauty And The Beast; Beauty and the beast; Beauty & the Beast; Beauty and the Beast & Other Stories; Beauty and The Beast; The beauty and the beast; The Beauty and the Beast; Beauty & The Beast; La Belle et la Bête (fairy tale); Beauty and Beast; Beauty and the Beast (play); Beauty-and-the-Beast
la Bella e la Bestia
film noir
![motifs]].<ref>Appel (1974), p. 4.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/1BelmondoDoesBogey.jpg?width=200 "motifs]].<ref>Appel (1974), p. 4.</ref>")
![The Big Sleep]]''.](https://commons.wikimedia.org/wiki/Special:FilePath/BigClinch.jpg?width=200 "The Big Sleep]]''.")
![[[Harrison Ford]] as detective Rick Deckard in ''[[Blade Runner]]'' (1982). Like many classic noirs, the film is set in a version of Los Angeles where it constantly rains.<ref>Hunter (1982), p. 197.</ref> The steam in the foreground is a familiar noir trope, while the "bluish-smoky exterior" updates the black-and-white mode.<ref>Kennedy (1982), p. 65.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/BladeRunnerSS.jpg?width=200 "[[Harrison Ford]] as detective Rick Deckard in ''[[Blade Runner]]'' (1982). Like many classic noirs, the film is set in a version of Los Angeles where it constantly rains.<ref>Hunter (1982), p. 197.</ref> The steam in the foreground is a familiar noir trope, while the \"bluish-smoky exterior\" updates the black-and-white mode.<ref>Kennedy (1982), p. 65.</ref>")
![PRC]], however, the film was 30 percent over budget.<ref>Erickson (2004), p. 26.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/DetourPoster1.jpg?width=200 "PRC]], however, the film was 30 percent over budget.<ref>Erickson (2004), p. 26.</ref>")
![[[Rita Hayworth]] in the trailer for ''[[The Lady from Shanghai]]'' (1947)](https://commons.wikimedia.org/wiki/Special:FilePath/Lady from Shanghai trailer rita hayworth6.JPG?width=200 "[[Rita Hayworth]] in the trailer for ''[[The Lady from Shanghai]]'' (1947)")
![noir fiction]] writer [[Dorothy B. Hughes]]. Two of noir's defining actors, [[Gloria Grahame]] and [[Humphrey Bogart]], portray star-crossed lovers in the film.](https://commons.wikimedia.org/wiki/Special:FilePath/LonelyPlaceTrailer.jpg?width=200 "noir fiction]] writer [[Dorothy B. Hughes]]. Two of noir's defining actors, [[Gloria Grahame]] and [[Humphrey Bogart]], portray star-crossed lovers in the film.")
![[[Marlene Dietrich]], an actress frequently called upon to play a [[femme fatale]].](https://commons.wikimedia.org/wiki/Special:FilePath/Marlene Dietrich circa 1930 (cropped).png?width=200 "[[Marlene Dietrich]], an actress frequently called upon to play a [[femme fatale]].")
![fatalistic]] mood leavened with provocative banter. Pictured are noir icons [[Robert Mitchum]] and [[Jane Greer]].](https://commons.wikimedia.org/wiki/Special:FilePath/OutOfThePastMitchumGreer.jpg?width=200 "fatalistic]] mood leavened with provocative banter. Pictured are noir icons [[Robert Mitchum]] and [[Jane Greer]].")
![Freudian theory]].<ref>Ottoson (1981), p. 143.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/PursuedPoster.jpg?width=200 "Freudian theory]].<ref>Ottoson (1981), p. 143.</ref>")
![multiple narrators]], and flashbacks within flashbacks.<ref>Telotte (1989), pp. 74–87.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/SorryWrongNumber2.jpg?width=200 "multiple narrators]], and flashbacks within flashbacks.<ref>Telotte (1989), pp. 74–87.</ref>")
![[[Sharon Stone]] as [[Catherine Tramell]], archetypal modern [[femme fatale]], in ''[[Basic Instinct]]'' (1992). Her diabolic nature is underscored by an "extra-lurid visual code", as in the notorious interrogation scene.<ref name=W209>Williams (2005), p. 229.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/StoneSmoking.jpg?width=200 "[[Sharon Stone]] as [[Catherine Tramell]], archetypal modern [[femme fatale]], in ''[[Basic Instinct]]'' (1992). Her diabolic nature is underscored by an \"extra-lurid visual code\", as in the notorious interrogation scene.<ref name=W209>Williams (2005), p. 229.</ref>")
![Stray Dog]]'' (1949), directed and cowritten by [[Akira Kurosawa]], contains many cinematographic and narrative elements associated with classic American film noir.](https://commons.wikimedia.org/wiki/Special:FilePath/StrayDogShadows.jpg?width=200 "Stray Dog]]'' (1949), directed and cowritten by [[Akira Kurosawa]], contains many cinematographic and narrative elements associated with classic American film noir.")
!["Loneliness has followed me my whole life, everywhere. In bars, in cars, sidewalks, stores, everywhere. There's no escape. I'm God's lonely man." [[Robert De Niro]] as neo-noir [[antihero]] Travis Bickle in ''[[Taxi Driver]]'' (1976)](https://commons.wikimedia.org/wiki/Special:FilePath/TaxiDriver1.jpg?width=200 "\"Loneliness has followed me my whole life, everywhere. In bars, in cars, sidewalks, stores, everywhere. There's no escape. I'm God's lonely man.\" [[Robert De Niro]] as neo-noir [[antihero]] Travis Bickle in ''[[Taxi Driver]]'' (1976)")
![newspaper=The Guardian}}</ref> which would remove it from the category of film noir. Others say the combination of color and the specificity of director [[Alfred Hitchcock]]'s vision exclude it from the category.<ref>Bould (2005), p. 18.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/VertigoHangTrailer.jpg?width=200 "newspaper=The Guardian}}</ref> which would remove it from the category of film noir. Others say the combination of color and the specificity of director [[Alfred Hitchcock]]'s vision exclude it from the category.<ref>Bould (2005), p. 18.</ref>")
FILM STYLE USUALLY DEPLOYED IN MYSTERY AND POLICE PROCEDURAL DETECTIVE CRIME FILMS
Film Noir; Bad girl movies; Noir film; Films noir; Film-noirs; Film noirs; Film-noir; Fjlm noir; Bad girl movie; Film Noire; Film black; Neon noir; Films noirs
film deprimente
Definición
bete noire
Note: in AM and sometimes in BRIT, use 'bete noire'
If you refer to someone or something as your bete noire, you mean that you have a particular dislike for them or that they annoy you a great deal.
Our real bete noire is the car boot sale.
= bugbear
N-SING: oft with poss
Wikipedia
Bête noire
Bête noire ("black beast" in French, meaning something that is an object of aversion or the bane of one’s existence) may refer to:
- Bête Noire (album), an album by British singer Bryan Ferry, released on Virgin Records in November 1987
- Bête Noire (comics), a comic anthology
- Bête Noire, an NCIS (season 1) episode
Ejemplos de pronunciación para bête noire
1. So each country has its own sort of bete noire,
Palace of Treason _ Jason Matthews _ Talks at Google
Ejemplos de uso de bête noire
1. Yet even here, Bush‘s every move was shadowed by his leftist regional bête noire, Venezuelan President Hugo Chávez, taunting him with go–home–Gringo–themed speeches and demonstrations.
2. Related Stories Changing habits, expanding waistlines 11/03/04 French schools‘ new bête noire÷ vending machines 10/08/04 At school, twilight of the Twinkie? 03/03/04
3. David quickly became the 1'th–century‘s bête noire, the personification of the Academy that Courbet and Manet challenged and the Impressionists and Post–Impressionists largely ignored.
4. And it was a measure of Bush‘s problems within his own party that the strongest voice of support he received Tuesday came from Kennedy, the arch–liberal and bête noire of American conservatism.